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So many of the pen-pushers Thierry meets have the air from the start of people whose prime concern is to find a way to feel a tiny bit better about themselves at Thierry’s expense.

READ MORE: Cannes Award Winners: Jacques Aurdiard ‘Dheepan’ Wins Palme d’Or; Rooney Mara Ties For Best Actress With ‘Carol’ Lindon’s performance is so perfectly judged, so inspiring of an avalanche of sympathy and empathy without ever seeking it out, that we are on Thierry’s side immediately, feeling every slight and every instance of condescension perhaps even more strongly than he does himself. " at the screen when that unseen Skype interviewer critiques the writing style of Thierry’s CV.In any other context the "friendly advice" he offers might be kindly meant, but somehow here we know it is not.Featuring an extraordinary, almost inexplicably riveting lead performance from Vincent Lindon, who earned a Best Actor award at the Cannes Film Festival for his work here, Stéphane Brizé‘s french-language "The Measure of a Man" is a terrific addition to the low-key social realist genre that is unavoidably dominated by the films of the Dardenne brothers.But while there are unmistakable parallels between ‘Measure’ and last year’s "Two Days One Night," in the main, the links between Brizé’s film and the rest of the category are more circumstantial than DNA-based.

Brizé’s approach to this kind of Dardennes-influenced "invisible" docu-realism is to use that aesthetic ingeniously, almost deceptively; the joltingly naked, handheld immediacy disguises the film’s meticulously pointed construction.And so these moments in the life of the wonderfully real Thierry (Lindon) only seem to come to us unmediated; in fact they are refracted through an ever-so-slightly heightened prism, which allows Brizé not just to document Thierry’s plight, but to comment on it, and the society that causes it, with sly, incisive humanism.



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