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Ours is called “Les Deux Femmes Sur le Front,” which translates as “The Two Women on the Front Lines.” Of the twenty-six photographers featured in that first festival, we are the sole women. I have an Emmy, but it’s no big deal: work in TV news long enough, you eventually get one.

Returning to work after my second maternity leave (which left my family broke, as it was unpaid), despite my specialty in international news I am assigned three stories in rapid succession: “Putting Your Kids to Bed”; “Fussy Babies”; “Picky Eaters.” I am one of the few mother-of-small-children producers on the show, but there are plenty of father-of-small-children producers in our ranks.

The past was gone; we would move on and get over it! Nixon signed Title IX in 1972, when I was 6, but only the girls born many years after me got to reap its rewards. Instead of a novelist, I might have become a really short, nebbishy soccer player. I’m a 23-year-old war photographer, on the eve of my first professional exhibit at the inaugural Visa Pour l’Image Perpignan photo festival.

Except getting over it, as it turns out, takes more than an ashcan full of bras and access to the pill. Fast-forward to 1988: I am raped by an acquaintance the night before my graduation from college. Twenty-five years later, while watching CNN lament the effects of the Steubenville rape on two promising lives—the rapists’, not the victim’s—I’ll hold two competing thoughts: nothing has changed; I wish I’d been braver. He’s married—to a woman who recently spoke on a “Lean In” panel with Sheryl Sandberg. I share this honor with photojournalism heavyweights Sebastião Salgado and Jim Nachtwey.

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It’s career suicide, colleagues tell me, to speak out against the literary establishment; they’ll smear you. I’m too old and too invisible to said establishment to care.My latest novel was just long-listed for Britain’s Women’s Prize for Fiction, formerly known as the Orange Prize. Why do we need a separate prize for women, ask the columnists, year after year, in one form or another, following the announcement of the nominees. Here are a few things I learned: it was founded in response to the 1991 Booker Prize, whose nominees were all men; it is frequently modified by the adjective “prestigious”; and it is controversial.I punt the “Picky Eaters” story and take a leave of absence to try my hand at my first passion, writing, which my (male) freshman expository writing professor had once dissuaded me from attempting, though I’d previously been a young columnist for . I sell my first book to Random House, a memoir of my years as a war photographer, for twice my NBC salary.

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And I still believe, as Carol Hanisch wrote back in 1969—when I was having my then three-year-old feet forced into stiff Mary Janes—that the personal is political. Let’s rewind and take a look at my so-called post-feminist life in arts and letters.

Born in 1966, I came of age at the dawn of a revolution.

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